Researching Jimmy Murphy

Born in Chicago, Murphy grew up in Omaha, Nebraska. When he was 15 he began selling political cartoons to the local newspapers, including the Omaha Examiner. He briefly attended Creighton University in Omaha, but he left home in 1910, spending the next eight years drawing political cartoons for the Inland Herald (Spokane, Washington), the Oregon Journal (Portland, Oregon) and the San Francisco Call & Post.

Murphy was born to Irish parents in Salford, Lancashire on September 30th, 1962. When he was six, his family returned to Dublin, settling in the South inner-city district of Islandbridge. He first went to school in nearby Inchicore, attending the Oblate Fathers’ primary school there, then moved to Ballyfermot, a working-class heartland of suburban Dublin, in his teens. There, he attended secondary school at St. John's De La Salle College. After failing the Irish Intermediate Certificate he left school to pursue an apprenticeship in painting and decorating, taking his Junior and Senior Irish Trade Certificates, and the City and Guilds of London exams at the Dublin Institute of Technology, Bolton Street.

His stage plays include Brothers of the Brush (Dublin, The Peacock, Dublin Theatre Festival 1993), which was awarded best new Irish play; A Picture of Paradise (The Peacock, 1997); The Muesli Belt (Dublin, The Abbey Theatre, 2000); Aceldama (1998), The Kings of the Kilburn High Road (Waterford, Red Kettle Theatre Company, 2000), The Castlecomer Jukebox (Red Kettle, 2004) and What's Left of The Flag (Theatre Upstairs @ The Plough 2010), nominated for an Irish Times Best New Play Award. Murphy's last play, with an all female cast, The Hen Night Epiphany, premiered at The Focus Theatre, Dublin in September 2011 and was published by Oberon Books. It has recently been translated into Hebrew.

Plays for radio include Mandarin Lime (BBC Radio 4, 1995), Peel’s Brimstone (BBC Radio 4, 1995), and "The Jangle of the Keys" (BBC Radio 4 1997).His awards include The Stewart Parker Award in 1994. The play The Kings of the Kilburn High Road was adapted by Tom Collins as the Irish language film Kings, and was selected as Ireland’s entry for best foreign-language film for the Academy Awards by the Irish Film and Television Academy.

Three of his plays have been presented at the Acting Irish International Theatre Festival: Brothers of the Brush (2001 Festival, presented by the Tara Players of Winnipeg), The Kings of the Kilburn High Road (2005 Festival, first North American production, presented by the Irish Players of Rochester, and The Muesli Belt (2008 Festival, presented by the Toronto Irish Players).

A one act play, Perfida, premiered at Theatre Upstairs in July 2012. In October 2012 "The Muesli Belt" received its US premiere at the Banshee Theater, Burbank, CA and in 2013 "The Hen Night Epiphany" received its US premiere at the Wade James Theater, Edmonds WA. In June 2013 a new production of Perfidia was staged by Red Kettle Theatre Company at their new theatre in Waterford. In May 2017 Murphy's second Verabtim piece for the Abbey, looking at police corruption, "A Whisper Anywhere Else", was produced at the Peacock theatre. His first Verbatim play for the Abbey, "Of This Brave Time", commissioned to commemorate the 1916 Easter Rising, toured the UK in 2016 and later returned to the Peacock stage for a short run.

Murphy's father, a bricklayer, was a blues enthusiast, and so the young Murphy grew up listening to musicians such as Lead Belly and Blind Boy Fuller. Murphy had already made it to radio by the middle of the 1940s, appearing on local station WBRC's Happy Hal Burns Show. In 1949 he relocated to Knoxville, Tennessee and auditioned for Dinner Bell, a show on WROL hosted by Archie Campbell. Campbell had Murphy meet Chet Atkins, whom Murphy eventually gave a demo; RCA Victor subsequently signed him to a publishing deal and recorded him in January 1951 with just himself on guitar and vocals and Anita Carter playing bass.

Murphy's contract only lasted one year; all of his singles failed to sell. He continued, however, to perform on WROL, and moved to WNOX in the middle of the 1950s. In 1955, Don Law signed Murphy to Columbia Records and had him record a number of rockabilly sides, but none of these charted, and this contract ended in 1956. Murphy followed his father into the bricklaying business and continued playing music on the side, but returned in 1962 to record for Ark Records, Midnite, Loyal, Rimrock, and Starday over the next few years.

He went into retirement until the Library of Congress re-released his first single, "Electricity", on a compilation. Richard Spottswood found Murphy and asked him to begin recording again; the result was the full-length Electricity, released on Sugar Hill Records in 1978. Further recording and a tour had been planned, but Murphy died in 1981 before they could be completed. He has remained a cult figure among rockabilly enthusiasts, and in 1989 Bear Family Records collected his RCA and Columbia recordings (16 songs recorded between 1951 and 1956) and issued them on CD as Sixteen Tons Rock & Roll. 21 recordings from the 1960s were issued in 1999 on the Ace Records (UK) label under the title Southern Roots: The Legendary Starday-REM Sessions