Researching John Culshaw

Georg Solti's prolific and award-winning recording career took off when Culshaw was put in charge of Decca's classical recording programme. For Decca, Solti made more than 250 recordings, including 45 complete opera sets. Among the international honours given Solti (and Decca) for his recordings were 31 Grammy awards – more than any other recording artist, whether classical or popular. For much of that time, Solti's career at Decca was closely linked with Culshaw.

Largely self-educated musically, Culshaw worked for Decca from the age of 22, first writing album liner notes and then becoming a producer. After a brief period working for Capitol Records, Culshaw returned to Decca in 1955 and began planning to record the Ring cycle, employing the new stereophonic technique to produce recordings of unprecedented realism and impact. He disliked live recordings from opera houses, and sought to put on disc specially made studio recordings that would bring the operas fully to life in the listener's mind. In addition to his Wagner recordings, he supervised a series of recordings of the works of Benjamin Britten, with the composer as conductor or pianist, and recordings of operas by Verdi, Richard Strauss and others.

Culshaw left Decca in 1967 and was appointed head of music programmes for BBC Television, where he remained until 1975, employing a series of innovations to bring classical music to the television viewer. He later undertook several academic posts. He remains best remembered for his Decca records; along with Fred Gaisberg and Walter Legge, he was one of the most influential producers of classical recordings. The Times said of him that "he stood in that great tradition of propagandists from Henry Wood to Leonard Bernstein, who seek to bring their love and knowledge of music to the widest audience."