Researching John Esposito

Born in Brooklyn, Esposito was raised in the Hudson Valley in a family that included policemen but also artists and musicians. His grandfather, a violin maker, was a jazz violinist and reed player, and played in the 1920s with the Paul Whiteman Orchestra. Esposito attended the State University of New York at Albany. Majoring in musical composition, he drew influences from visiting composers who came through, including John Cage, Robert Ashley, Frederic Rzewski, and Elliott Carter. At the same time, however, he found himself drawn more to improvisation, and, despite a rather late start, took up jazz piano. (As a teenager, he had already played harmonica in a blues band.) In 1980 Esposito moved to New York City, where he worked with saxophonist Arthur Rhames, a neglected, almost forgotten figure who died of AIDS-related illness at 32 (1989), and who some nevertheless feel was the successor to John Coltrane's mantle as the greatest creative performer on that instrument.

Esposito played in the Arthur Rhames Quartet for five years, and in 1987 launched his own jazz quintet called Second Sight, with Dave Douglas, Jeff Marx, Allen Murphy, Jeff Siegel, and Fred Berryhill. Notables he's performed with are Thurman Barker, Nick Brignola, Roy Campbell, Santi Debriano, Carter Jefferson, John Lindberg, Erica Lindsay, Joe Lovano, J. R. Monterose, David "Fathead" Newman, and Roswell Rudd. He has also recorded with Rashied Ali, Dave Douglas, Dave Holland, Franklin Kiermyer, Jeff Marx, Eric Person, Arthur Rhames, Sam Rivers, Pharoah Sanders, Michael Stuart, and John Stubblefield among others. In the 1990s he gradually (first as adjunct faculty and later as visiting professor) joined the faculty of Bard College, where he teaches jazz piano, literature, and harmony. (One of his theory students was fellow faculty member Kyle Gann). In 2006 Esposito formed his own record label SunJump in order to bring out recordings of his own groups and historical recordings in his archive.