Researching Kenneth Slowik

Slowik first established his international reputation primarily as a cellist and viola da gamba player through his work with the Smithsonian Chamber Players, Castle Trio, Smithson String Quartet, Axelrod Quartet, and with Anner Bylsma’s L’Archibudelli. Conductor of the Smithsonian Chamber Orchestra since 1988, he became conductor of the Santa Fe Bach Festival in 1998, and led the Santa Fe Pro Musica Chamber Orchestra from 1999 to 2004. He has been a soloist and/or conductor with numerous other orchestras, including the National Symphony, the Baltimore, Vancouver, and Québec Symphonies, the Filharmonia Sudecka, the Pleven Philharmonic, and the Cleveland Orchestra. His involvement with 20th-century art music included many seasons with Ralph Shapey’s Contemporary Chamber Players and founding membership in the Chicago Museum of Contemporary Art’s resident ensemble “Twittering Machine.”

He has appeared in hundreds of concerts with SCMS ensembles and made over sixty recordings, featuring him as a conductor, cellist, gambist, barytonist and keyboard player for music ranging from the Baroque (Marais, Corelli, Bach) through the Classical (Haydn, Boccherini, Beethoven, Schubert) and Romantic (Mendelssohn, Gade, Spohr) to the early twentieth century (Schönberg, Mahler, Richard Strauss). Of these, many have won prestigious international awards, including France’s Diapason d'Or and Choc, the “British Music Retailers’ Award for Excellence,” Italy’s Premio Internazionale del Disco Antonio Vivaldi, two GRAMMY® nominations, and numerous “Record of the Month” and “Record of the Year” prizes.

A notable scholar and educator, Slowik has presented lectures and seminars throughout the United States. His articles on music and performance practice have appeared in several scholarly journals; his annotations for recordings and concert programs are frequently cited as models in their field. In 2011 he received the Smithsonian Secretary's Distinguished Research Lecture Award. Slowik serves on the faculties of L’Académie Internationale du Domaine Forget in Québec and the University of Maryland; he has been the Artistic Director of the Baroque Performance Institute at the Oberlin College Conservatory since 1993.