Researching Steuart Wilson

Following service in the First World War, Wilson became known for singing tenor roles in oratorios by composers from Bach to Elgar, and was particularly admired both as the Evangelist in Bach's St Matthew Passion and in the title role of Elgar's The Dream of Gerontius. He was a champion of music by English composers of his generation, notably Ralph Vaughan Williams, Gustav Holst and Rutland Boughton. He also appeared from time to time in operatic tenor roles, including Satyavan in the first professional performance of Holst's Savitri. The quality of his voice and his technique were not universally admired. In a high-profile libel case Wilson sued a member of the public who had criticised one of his performances in a letter, and the BBC for publishing it: he won £2,000 in damages.

In 1937 Wilson settled for a while in the United States, teaching at the Curtis Institute of Music. He retired from singing and returned to the United Kingdom in 1942 where he began a second career as an administrator. He initially worked for the BBC, then after the war was appointed music director of the newly created Arts Council of Great Britain; in 1948 he was knighted for his services in that post. That same year he became the BBC's director of music, and engineered the enforced retirement of the BBC Symphony Orchestra's chief conductor, Sir Adrian Boult. The following year he became deputy general administrator of the Royal Opera House, in which post he secured the premiere staging of Vaughan Williams's The Pilgrim's Progress in 1951. Unhappy with being subordinate to the Royal Opera's general administrator, David Webster, Wilson resigned from his post in June 1955 and started a campaign against homosexuals in the musical profession. Wilson ended his career as principal of the Birmingham School of Music, 1957–1960.